The 2020s File Feature
Manslaughter
"Manslaughter" — Pop Smoke Featuring Rick Ross The-Dream Posthumous Stardom and the Weight of What Remained Pop Smoke was gone before the world fully underst…
01 The Story
"Manslaughter" — Pop Smoke Featuring Rick Ross & The-Dream
Posthumous Stardom and the Weight of What Remained
Pop Smoke was gone before the world fully understood what it had. Bashar Barakah Jackson died in February 2020 at the age of 20, just as the Brooklyn drill scene he had helped elevate to national consciousness was reaching its cultural peak. His combination of a distinctive baritone voice, hard-edged Brooklyn production sensibility, and an undeniable charismatic presence had marked him as one of the most promising young artists in hip-hop. The recordings he left behind were extensive enough to sustain multiple posthumous releases, and the management of that vault became one of the defining projects of hip-hop's early 2020s.
"Manslaughter" appeared on Faith, Pop Smoke's second posthumous album, released in July 2021. The album featured an extraordinary array of featured artists and collaborators, reflecting both the ambitions his team had for the project and the respect Pop Smoke commanded within the industry. The pairing with Rick Ross and The-Dream on "Manslaughter" placed his voice alongside two artists from different generations of rap and R&B, creating a specific tonal combination that speaks to the breadth of interest in his catalog.
The Collaborators and What They Brought
Rick Ross, the Miami rapper and label executive who built his brand on maximalist luxury rap imagery, brought his signature baritone confidence to the track. The textural overlap between Ross's voice and Pop Smoke's own deep register creates an interesting dynamic, two vocalists with similarly commanding presences sharing space. The-Dream, the Atlanta singer and prolific songwriter behind major hits for Beyonce, Rihanna, and many others, contributed a melodic element that softened the track's harder edges without neutralizing its energy.
The collaboration reflects the crossover ambitions of Faith, an album that sought to demonstrate Pop Smoke's potential across multiple sonic environments rather than restricting him to the Brooklyn drill template that had made him famous. "Manslaughter" reached number 82 on the Billboard Hot 100 on July 31, 2021, as one of several album tracks that charted simultaneously during the album's release week.
Production and Sound
The track's production occupies the space where drill's cold precision meets the warmer textures of trap-influenced R&B. The instrumental is built on the kind of heavy bass presence that characterized Pop Smoke's aesthetic while incorporating melodic elements that nod toward The-Dream's influence on the track. The arrangement gives each collaborator distinct space while maintaining a cohesive sonic identity, a production challenge that well-executed compilation albums manage and poorly executed ones do not.
Pop Smoke's vocal presence dominates the recording, as it did on virtually all of his work. Even in posthumous contexts, with the technical challenges of working with archived recordings, his voice carries an authority that makes the collaborative framing feel like his record featuring others rather than a tribute that happens to use his vocals.
The Faith Album Context
The album Faith debuted at number one on the Billboard 200, demonstrating that Pop Smoke's commercial standing had grown considerably in the fourteen months since his death. The project was ambitious and at times polarizing, with some critics noting the density of features and the sense that the album was shaping an artist who could no longer advocate for his own creative vision. Fans, however, largely embraced the project as further evidence of his range and output.
"Manslaughter" as a title is notable in the context of a young man who died violently. Whether intentional or coincidental, the title carries resonance that the song's content alone might not generate. Pop Smoke's posthumous catalog inevitably carries this kind of additional interpretive weight, every track filtered through the knowledge of how his story ended before it should have.
Brooklyn Drill's Moment and Pop Smoke's Place in It
The broader context of "Manslaughter" is the moment when Brooklyn drill, the New York adaptation of the UK drill sound that had itself evolved from Chicago's drill scene, was consolidating into a recognized and documented genre movement. Pop Smoke was its most visible standard-bearer, and his posthumous releases ensured that his voice remained central to conversations about the genre even as new artists entered the space. Press play and you hear an artist whose influence outlasted his presence.
"Manslaughter" — Pop Smoke's singular moment on the 2020s charts.
02 Song Meaning
"Manslaughter" — Power, Street Narratives, and the Posthumous Frame
The Drill Aesthetic and Its Thematic Language
Brooklyn drill, the genre that Pop Smoke helped bring to national attention, operates within a tradition of street narrative that has roots deep in American music history. The lyrical world of drill is one of hyper-local specificity, block-level geography, conflicts both personal and communal, and the performance of a particular masculine toughness that functions simultaneously as bravado and as documentation. "Manslaughter" draws from this tradition while the collaborative additions of Rick Ross and The-Dream pull in adjacent aesthetics from Miami trap and R&B respectively.
The thematic core of the track involves the assertion of power, financial, social, and physical, across the various registers that Pop Smoke and his collaborators occupied. This kind of power assertion is not unique to Pop Smoke or to his era; it runs through hip-hop from its earliest commercial forms. What he brought to it was a specificity of voice and place that made the familiar themes feel grounded and authentic rather than generic.
Rick Ross and the Luxury Narrative
Rick Ross's contribution to the track imports the specific thematic universe he has occupied throughout his career, one of ostentatious abundance, legal and illegal enterprise, and a particular kind of Southern-inflected boss mythology. His presence on "Manslaughter" situates the track within a lineage of rap that celebrates material success as both outcome and identity. The combination of Pop Smoke's street-level Brooklyn energy and Ross's maximalist ambition creates a thematic tension that the track holds productively rather than resolving neatly.
The-Dream brings a contrasting register, the melodic hooks and R&B sensibility that have made him one of modern pop music's most consistently productive behind-the-scenes forces. His presence on a track with this title and these themes reflects the degree to which genre boundaries had continued to dissolve in the early 2020s, with R&B and hip-hop sharing production space and thematic territory more fluidly than ever.
The Weight of the Title
A title like "Manslaughter" in the context of a posthumous release by an artist who died violently is impossible to receive neutrally. Whether the song was recorded before Pop Smoke's death and selected for this release, or was assembled from vocal recordings after the fact, its title carries a resonance that extends beyond the lyrical content. Posthumous rap releases carry this kind of unintended meaning frequently, words and titles transformed by the gap between when they were made and when they are encountered by a grieving audience.
This interpretive dynamic is a feature of all posthumous cultural production, but it is particularly acute in hip-hop, where the proximity of violent death to the genre's subject matter creates feedback loops between the music and the circumstances of the artist's life and death.
Pop Smoke as Cultural Signifier
By the time Faith appeared, Pop Smoke had become more than a recording artist; he was a cultural signifier for a specific moment in Brooklyn and in hip-hop more broadly. His death at 20 calcified his image in a particular way, preventing the natural evolution that living artists undergo and leaving his recorded output as a fixed artifact of who he was at that moment. "Manslaughter" exists within this frozen frame, a track that invites listeners to hear what Pop Smoke might have done with collaborators like Ross and The-Dream as his career expanded, while knowing that no such expansion would come.
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