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The 2010s File Feature

My My My!

Troye Sivan, "My My My!": Production, Release, and Chart Entry By the time Troye Sivan released "My My My!" in January 2018, he had already navigated one of …

Hot 100 Peaked at Nº 80 67.0M plays
Watch « My My My! » — Troye Sivan, 2018

01 The Story

Troye Sivan, "My My My!": Production, Release, and Chart Entry

By the time Troye Sivan released "My My My!" in January 2018, he had already navigated one of the more unusual paths to mainstream music stardom in contemporary pop. A child actor who had appeared in the X-Men Origins: Wolverine film in 2009, Sivan had built an enormous YouTube following in his early teens through personal vlogs and covers before transitioning to original music that earned him a deal with EMI Records Australia and later Capitol Records in the United States. His debut EP TRXYE in 2014 had reached number 5 on the Billboard 200 with virtually no traditional radio promotion, driven almost entirely by his YouTube and social media audience.

"My My My!" was the lead single from his second studio album Bloom, released on August 31, 2018. The song arrived on January 11, 2018, preceding the album by several months and serving as the opening statement of a creative direction that represented a significant evolution from his debut album Blue Neighbourhood. Where that earlier work had leaned toward melancholic introspection and a somewhat spare sonic palette, "My My My!" announced a more celebratory, physically expressive, and dance-oriented approach to pop music.

The track was produced by Oscar Holter, the Swedish producer who had worked extensively with Max Martin and whose credits included major pop hits for Ellie Goulding and others. Holter brought a distinctly European pop production sensibility to the track, building it around a pulsing electronic foundation, layered synth textures, and a rhythmic drive clearly influenced by the tradition of Scandinavian pop production that had dominated much of the preceding decade. The production was big, bright, and physically energizing in a way that Sivan's earlier work had generally not been.

On the Billboard Hot 100, "My My My!" debuted at number 80 on January 27, 2018, its only week on the chart. This limited chart presence reflected the track's primary audience base, which remained concentrated in LGBTQ communities and among pop listeners who followed Sivan specifically, rather than having crossed over to the broader general pop audience that would have sustained a longer Hot 100 run. The song performed significantly better on other charts and in markets outside the United States, particularly in Australia, where Sivan had a stronger mainstream foothold.

The music video, directed by Grant Singer, was a major part of the song's impact. Singer had developed a reputation for creating visually striking, dance-centric videos, and the clip for "My My My!" delivered an explicitly queer visual language celebrating male physicality and same-sex desire in terms that were direct without being gratuitous. The video featured Sivan dancing in a dimly lit space with other men, the choreography and staging communicating a sense of liberation, desire, and physical joy that complemented the song's audio personality.

The video's reception underscored Sivan's unusual position in pop music as one of the few openly gay male artists producing mainstream pop on a major label with significant commercial ambitions. His willingness to make LGBTQ experience not merely an implicit subtext but an explicit visual and lyrical subject represented a meaningful development in how pop music addressed queer audiences at the time.

Sivan had come out publicly as gay in August 2013 through a video on his YouTube channel, a disclosure that was notable for its timing and context. He was 18 years old and addressed his family and audience simultaneously through a direct, personal video that avoided the hedging or indirection that many public figures had historically used when making similar announcements. The openness of that disclosure shaped how his subsequent music was received, with audiences and critics understanding his work as emerging from a specific lived experience rather than from calculated demographic targeting.

Bloom, the album that "My My My!" introduced, received strong critical reviews that consistently noted its willingness to explore physical intimacy and same-sex desire in lyrics, and its sophisticated production that merged electronic pop with acoustic elements and classic pop structures. The album debuted at number 4 on the Billboard 200 in September 2018, his highest-charting album at that point, validating the creative direction that "My My My!" had established.

Cultural Significance and Pop Context

The release of "My My My!" in early 2018 placed it within a pop landscape that was experiencing something of a renegotiation of how queer identity could be expressed in mainstream contexts. Artists including Frank Ocean, Sam Smith, and Hayley Kiyoko were all, in different ways, making queer experience central to commercially distributed music rather than peripheral to it. Sivan's contribution to this movement was distinguished by his specific combination of pop craft, visual sophistication, and unwavering directness about the nature of his subject matter. "My My My!" remains one of the most unambiguous celebrations of queer male desire in mainstream 2010s pop, and its chart performance, modest by Hot 100 standards but strong in demographic-specific markets, reflected both the progress and the remaining limitations of mainstream pop's capacity to fully integrate queer experience.

02 Song Meaning

Desire, Liberation, and Queer Joy in "My My My!"

"My My My!" represents a departure from the more introspective emotional register that characterized much of Troye Sivan's earlier work. Where his debut album Blue Neighbourhood had explored queer experience through the lens of melancholy, longing, and the particular sadness of adolescence, "My My My!" arrives fully formed as a celebration of physical joy, desire, and the experience of being present in one's body and one's desires without shame or qualification. The exclamation point in the title is not incidental, it signals a tonal commitment to exuberance that the song fully delivers.

The song's central subject is the physical and emotional intensity of a new romantic and sexual encounter. The narrator describes a state of overwhelming attraction that temporarily displaces other concerns, a kind of pleasurable amnesia in which the ordinary preoccupations of daily life become irrelevant beside the immediacy of desire. This is familiar territory in pop music generally, but in the specific context of explicitly queer male desire addressed to a mainstream pop audience, it carried additional significance in 2018.

Oscar Holter's production was designed to make the song feel like a physical experience rather than merely an audio one. The pulsing bass and layered synth elements create a sense of bodily rhythm that invites the listener into the narrator's experience rather than positioning them as an observer. This is production in the service of thematic content, the music physically enacting the kind of bodily presence and sensory intensity that the lyrics describe.

The key word in the song's emotional vocabulary is liberation. The track does not present same-sex desire as something that needs to be explained, justified, or situated within a narrative of overcoming social obstacles. It simply presents desire as desire, as a natural and joyful state that requires no special pleading. This refusal to frame queer experience in terms of the challenges it presents rather than the pleasures it contains represented a meaningful evolution in how mainstream pop addressed LGBTQ subject matter in the mid-2010s.

The Music Video as Artistic Statement

Directed by Grant Singer, the music video for "My My My!" extended the song's thematic content into visual form with considerable sophistication. The clip's emphasis on male bodies in motion, the way dance is used to express desire and joy rather than simply to demonstrate technical skill, and the direct presentation of same-sex attraction without ironic distancing or protective ambiguity all contributed to making the video one of the more culturally significant pop clips of its period.

The visual language draws on a tradition of queer underground performance culture while translating it into a format accessible to mainstream music video audiences. This translation is not a dilution but a transformation, the video borrows from club culture, physical theater, and contemporary dance to create something that feels simultaneously specific to its subcultural origins and genuinely accessible to viewers without prior exposure to those contexts.

Sivan's performance in the video is central to its effectiveness. He had not presented himself as a particularly physically expressive performer in his earlier visual work, and the deliberateness of the video's emphasis on dance and bodily movement signaled a conscious artistic choice to explore a new dimension of his public self. The choice was consistent with the song's thematic content, both the audio track and the visual track are about inhabiting one's body and one's desires fully and without apology.

The cultural significance of "My My My!" extends beyond its specific content. It arrived at a moment when representation of queer experiences in mainstream pop was expanding but still uneven, and when the visibility of openly gay male artists producing explicitly queer-themed content for major labels remained limited. Sivan's commercial success, his fanbase's size and engagement, and the quality of his artistic production all contributed to a broader argument that queer experience was not a niche concern but a legitimate and commercially viable subject for mainstream popular music.

The song's lasting appeal rests on something simpler than its cultural significance, it is genuinely pleasurable to listen to, built from well-crafted pop elements that deliver immediate satisfaction while rewarding repeated listening. The meaning of "My My My!" is inseparable from the pleasure it generates, and that pleasure is itself a form of argument about the value of the experiences it celebrates.

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