The 2020s File Feature
Burgundy
$uicideboy$' Burgundy: Deep Hues and a Devoted Community's Chart MomentBuilding an Empire in the UndergroundThere is a version of success in contemporary mus…
01 The Story
$uicideboy$' "Burgundy": Deep Hues and a Devoted Community's Chart Moment
Building an Empire in the Underground
There is a version of success in contemporary music that looks nothing like traditional stardom and functions entirely through the loyalty of a specific, intensely devoted audience. $uicideboy$, the New Orleans duo of Ruby da Cherry and $crim, built exactly that kind of success across nearly a decade of releasing music that spoke directly to listeners drawn to its unfiltered engagement with depression, addiction, nihilism, and survival. By mid-2024, when Burgundy arrived on the Hot 100, they had long since established themselves as one of the most commercially significant underground acts in American music, fully capable of producing genuine chart numbers without the promotional infrastructure that typically generates them. Their path to this position was built on volume, consistency, and an audience connection of unusual depth.
The Sound of Controlled Darkness
$uicideboy$ developed their sonic identity over dozens of projects stretching back to the mid-2010s: dense, often lo-fi production built from horror movie samples, Memphis rap loops, and industrial textures, delivered over rapping that switches between melodic hooks and dense rapid-fire verse patterns. Burgundy operates within this established world. The title's color choice is evocative in itself; burgundy sits between red and darkness, a deep, wine-heavy shade associated with things kept and aged. The production carries the claustrophobic warmth that has characterized their best work: heavy bass, deliberate rhythm, an atmosphere that feels sealed off from the outside world. It is a sound that rewards headphones and discourages casual background listening, which suits their audience's relationship to the music precisely.
Debut and Departure
Burgundy debuted at number 86 on the Billboard Hot 100 on June 29, 2024, which was also its peak and its only week on the chart. The one-week chart appearance is consistent with how their music typically performs: an initial burst of fan-driven streaming produces a debut, and without radio support or mainstream discovery mechanisms the position does not sustain into subsequent weeks. Reaching the Hot 100 at all requires substantial, concentrated streaming volume, and doing it repeatedly across multiple releases, as $uicideboy$ have done, demonstrates that their audience is genuinely large rather than niche in any dismissive sense. The chart entry is the evidence; the brevity of the run simply reflects a different commercial infrastructure than traditional pop.
The Fanbase as Community
Understanding $uicideboy$'s chart appearances requires understanding what their fanbase represents as a social formation. The G*59 community, named for their label and collective, is one of the more tightly organized and emotionally invested fan communities in contemporary music. Listeners who encountered the duo's music during their own experiences with mental health struggles, addiction, social isolation, or the specific texture of hopelessness describe it with the vocabulary of having found something that understood them rather than simply entertained them. That depth of connection produces the streaming behavior that generates chart entries; fans are not passively consuming but actively returning, sharing, and advocating within their own communities.
Color as Career Symbol
$uicideboy$ have always been deliberate and consistent about the aesthetic world they construct around their music. Deep reds, dark tones, imagery of decay and endurance: these have threaded through their visual and sonic identity across years of releases, creating a coherent aesthetic universe that serves as both brand identity and genuine artistic statement. Burgundy is another installment in that catalog, choosing its color with the same intentionality that has always characterized their approach to naming and imagery. The G*59 aesthetic has also developed a visual grammar over the years that extends well beyond music: the merchandise, the album artwork, the font choices all contribute to a total environment that reinforces the music's emotional territory. Fans do not simply stream $uicideboy$; they inhabit the aesthetic world they have constructed, and that world keeps growing. Burgundy added one more shade to a palette that their audience knows intimately, a color that says something specific before the first beat drops. Press play on a concentrated moment in a larger, darker, and considerably more complex picture.
“Burgundy” — $uicideboy$'s singular moment on the 2020s charts.
02 Song Meaning
The Meaning Behind "Burgundy" by $uicideboy$
A Color With Weight
Burgundy is not a casual or generic choice of title. As a color it occupies a particular emotional register: deep, saturated, associated with wine, old blood, velvet interiors, preserved things. In the aesthetic world that $uicideboy$ have constructed across their catalog, color carries thematic weight and is chosen with deliberation, and burgundy fits their palette precisely. The title signals the emotional tone of the song before a lyric has been heard, communicating something rich and dark, something that has been kept and aged rather than freshly made and brightly presented. That signal to familiar listeners is part of how their catalog works as a unified experience rather than a collection of individual tracks.
The G*59 Emotional Territory
$uicideboy$ have built their career on a willingness to engage directly with psychological states that mainstream pop has typically treated as subjects to be resolved, overcome, or kept at a safe narrative distance. Depression, self-destruction, the appeal of numbness, the complicated and not always negative relationship between suffering and identity: these are the territories their music occupies, not as a performance of edginess designed to attract attention but as an apparently sincere engagement with experiences their audience recognizes from their own lives. Burgundy continues in this vein, offering neither resolution nor reassurance, simply presence in difficult emotional territory alongside the listener.
Duality of the Duo
Part of what makes $uicideboy$ work as a creative entity is the productive tension between Ruby da Cherry and $crim's distinct voices, styles, and perspectives on shared thematic material. Their albums and projects are rarely monolithic in emotional register; the two voices bring different approaches and different levels of intensity to the same territory, and the contrast creates texture and prevents the darkness from becoming monotonous. Burgundy benefits from this dynamic in the way their best work does, with the interplay between voices carrying an emotional complexity that a single perspective could not fully provide. Even within isolation as a subject, there are two people present.
Mental Health as Literal Subject
$uicideboy$ are unusual in contemporary popular music in how directly they engage with clinical mental health territory in their lyrics. Where many artists use depression or anxiety as aesthetic backdrop or metaphor, the duo treats those states as explicit subjects with specific textures, symptoms, and consequences. This directness is a significant part of their audience connection; listeners who have experienced those states find in the music a vocabulary that validates and articulates their experience rather than romanticizing it from a comfortable distance. Burgundy carries this quality, describing an interior state with enough specificity that it cannot be mistaken for generic darkness or stylistic posturing.
Why the Darkness Finds Its Listeners
Music that engages seriously with difficult psychological territory serves a function that cheerful or aspirational pop genuinely cannot: it tells a listener that what they are experiencing is real enough and significant enough to be worth making art about, that the experience has been understood by someone else. The $uicideboy$ audience is large partly because the experience of depression and social isolation is common in ways that mainstream culture undercounts, and those experiences are poorly served by most commercial music. Burgundy offers what their catalog has consistently offered across years of work: not escape from the darkness, but company within it, which is sometimes exactly what a listener actually needs to hear.
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