The 2020s File Feature
What Else Can I Do?
"What Else Can I Do?" from Encanto: Luisa's Sister, the Garden, and a Song About Agency "What Else Can I Do?" is a musical theater song written by Lin-Manuel…
01 The Story
"What Else Can I Do?" from Encanto: Luisa's Sister, the Garden, and a Song About Agency
"What Else Can I Do?" is a musical theater song written by Lin-Manuel Miranda for Disney's animated feature film Encanto, released in November 2021. The song is performed in the film by Isabela Madrigal, voiced and sung by Diane Guerrero, with additional contributions from Stephanie Beatriz as Mirabel. It appears during a pivotal scene in the second act of the film in which Isabela, the eldest Madrigal granddaughter whose magical gift allows her to grow flowers and plants, begins to discover that she can also create wild, unexpected, imperfect forms of plant life beyond the conventional roses she has always been required to produce. The moment marks a transformation in her character and in her understanding of her own power.
The film Encanto, directed by Byron Howard and Jared Bush with co-direction by Charise Castro Smith, tells the story of the Madrigal family, who live in a magical house in the Colombian mountains called the Encanto. Each member of the family, except the protagonist Mirabel, has been gifted with a unique magical power. Isabela's gift of making flowers grow has resulted in her being positioned as the perfect, beautiful eldest daughter, a role she has occupied without question but with increasing internal strain. "What Else Can I Do?" is the song that articulates and then begins to resolve that strain, representing one of the clearest expressions of the film's central theme about the costs of performing perfection.
Lin-Manuel Miranda, who wrote all of the original songs for the film while the score was composed by Germaine Franco, drew on a range of Latin musical influences that reflected the Colombian setting and the diverse rhythmic traditions of that country's musical heritage. "What Else Can I Do?" incorporates cumbia-influenced rhythms and the kind of accelerating, ecstatic energy that suits a character discovering herself for the first time. The song's structure builds from a tentative opening to an exuberant concluding section in which Isabela's vocal performance and the visual environment of the film's animation expand together in a single sustained expression of liberation.
Diane Guerrero, best known for her acting roles in Orange Is the New Black and Doom Patrol, provided a vocal performance that captured both the initial restraint of Isabela's trained perfection and the opening up that the song demands. Her voice handles the song's dynamic range with assurance, and the contrast between the controlled tone of the opening and the freer quality of the later sections mirrors Isabela's emotional arc precisely. Stephanie Beatriz, who had already delivered the film's breakout vocal performance with "What I Know About You" and the reprise of "Surface Pressure," appears in supporting capacity here, her presence connecting this song to the broader narrative of sisterly reconciliation that drives the second act.
The song appeared on the Encanto soundtrack album, released by Walt Disney Records on November 19, 2021. That album became one of the most commercially successful animated film soundtracks in recent memory, driven primarily by "We Don't Talk About Bruno," which reached number one on the Billboard Hot 100 in January 2022 and held that position for an extended run. "What Else Can I Do?" benefited from the enormous attention the film and its soundtrack received, charting on the Hot 100 as part of a remarkable situation in which multiple songs from a single film occupied the chart simultaneously.
The Billboard Hot 100 performance of the Encanto songs collectively represented an unprecedented moment for animated film music. "We Don't Talk About Bruno" broke the record previously held by "Let It Go" from Frozen for the highest-charting Disney animated film song, and the success of "What Else Can I Do?" along with other album tracks demonstrated that the film's music functioned as a genuine pop cultural moment rather than simply as film-contextual music. Streaming numbers drove this performance, as families and children listened repeatedly to the soundtrack on platforms where stream counts translated directly into chart positions.
The film received the Academy Award for Best Animated Feature at the 94th Academy Awards ceremony in March 2022, validating the critical consensus that had developed around it in the months following its release. The Grammy Awards also recognized the album's impact. Miranda's contributions to contemporary musical theater and film music, already extensively documented through Hamilton and In the Heights, received further recognition through the film's success, with "What Else Can I Do?" standing as one of the more structurally sophisticated songs in the film's lineup.
The animation accompanying the song, in which Isabela's gift manifests as increasingly wild and exuberant plant growth including cacti, explosions of color, and forms that have no conventional beauty, is one of the visual highlights of the film and works in close concert with the song's emotional and thematic content. The design team at Walt Disney Animation Studios created sequences that translated the song's internal emotional logic into visual form with unusual precision, making the song and its imagery inseparable in the way the best musical theater integrations achieve.
Culturally, "What Else Can I Do?" resonated with audiences who saw in Isabela's story a reflection of pressures related to family expectation, performance of perfection, and the discovery of selfhood beyond externally imposed roles. The Colombian setting gave the story cultural specificity that was widely praised as a step forward in representation for Latin American communities, and the emotional universality of the themes ensured that the film and its songs reached well beyond any single demographic.
02 Song Meaning
What "What Else Can I Do?" Says About Perfection, Power, and the Permission to Be Imperfect
"What Else Can I Do?" is built around one of the most resonant questions a person can ask: when the role you have been assigned no longer fits, when the version of yourself that others have needed turns out to be incomplete, what comes next? Isabela Madrigal's journey through the song is a journey from that question into its answer, and the answer the film proposes is deliberately disorderly, joyfully imperfect, and alive in a way that her previous perfection was not.
The song operates within a tradition of theatrical self-discovery numbers, the moment in a musical when a character's inner reality breaks through the surface of their performed self. What distinguishes it from many examples of that tradition is the specificity of Isabela's situation. Her gift is the ability to make things grow and flower, which means that the metaphor for her liberation is quite literally botanical: the flowers she creates when she is no longer performing for approval are cacti, vines that break through walls, explosions of color that have no designated purpose except to exist. Lin-Manuel Miranda made a precise and intelligent choice in linking self-expression to the creation of things that are considered less beautiful by conventional standards, because this honors the experience of people who have spent their lives cultivating a beauty that was never fully their own.
The role of the eldest daughter, the responsible one, the beautiful one, the one who cannot fail, is a familiar archetype that carries particular weight in family systems shaped by high expectations. Encanto as a film is centrally interested in the psychological costs of these assigned roles within families, and Isabela's arc is the clearest dramatization of what happens when those costs become unsustainable. "What Else Can I Do?" arrives at the moment when the pressure cracks the container, and the crack turns out to be where the light, and the cactus, gets in.
The sisterhood dimension of the song is also significant. Mirabel's presence connects this moment to the broader relational arc of the film, in which the two sisters move from a relationship of surface-level tension and resentment to genuine understanding. The tension between them had been, at least partly, the product of Isabela's resentment at having to be perfect in a way that left her no room to be a person. When Mirabel inadvertently gives her permission to stop performing, the release is not just personal but relational, and the song captures both dimensions with care.
Diane Guerrero's vocal performance carries the emotional arc of the song in the most immediate sensory way. The restraint in her opening phrases and the increasing freedom in her voice as the song builds are not simply a function of the lyrics but of the vocal choices she makes, the places where she lets the melody breathe versus the places where she pushes into a fuller, less controlled sound. This is musical acting of a high order, and it gives the song an embodied authenticity that complements the animation's visual storytelling.
For audiences who encountered the film during childhood or adolescence, "What Else Can I Do?" likely registered as an exhilarating moment of permission, a pop culture text that said in clear musical terms that the version of yourself your family or community has decided you are is not necessarily the only or truest version. This is a message with genuine utility for young people navigating identity formation in environments that apply their own pressures toward conformity and performance. The Colombian cultural setting adds texture to this without limiting the resonance of the theme to any single community.
The song's placement within the Encanto soundtrack also matters. It arrives after the heavier, more anxious material of "Surface Pressure" and before the resolution of the film's climax, functioning as a turning point that changes the emotional direction of the story. Its exuberance is earned rather than imposed, which is why it lands with the force it does both in the film and as a standalone listening experience. The question in the title is answered by the song itself: what else can she do? Everything. Anything. Whatever she chooses.
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