The 2020s File Feature
II Most Wanted
II Most Wanted: Beyoncé and Miley Cyrus Find Each Other on the RoadThere are collaborations that feel like events and then there are the ones that feel almos…
01 The Story
II Most Wanted: Beyoncé and Miley Cyrus Find Each Other on the Road
There are collaborations that feel like events and then there are the ones that feel almost inevitable, as though two artists' career trajectories were always going to intersect at exactly this point. When Beyoncé enlisted Miley Cyrus for II Most Wanted on Cowboy Carter, the combination made a kind of biographical sense that rewarded attention. Cyrus had been an outlaw in her own industry for years; Beyoncé was making an album explicitly about outlaws and the gatekeepers who try to stop them.
Cowboy Carter's Biggest Chart Partner
Of all the collaborations on Cowboy Carter, II Most Wanted was the one that traveled furthest on the Billboard Hot 100, and by a considerable margin. The song debuted at number 6 on April 13, 2024, making it the highest-charting single from the album at that time. It spent six weeks on the Hot 100, holding its top-ten position through the initial surge before gradually descending. That debut position placed it among the strongest chart entries of Beyoncé's own career and marked Cyrus's highest charting collaboration in years.
Sound and Chemistry
The track has the sprawl and confidence of a classic outlaw country ballad, its production leaning into the wide-open sonic landscape that Beyoncé and her team built across the record. Cyrus's voice, roughened by years of genre experimentation, meets Beyoncé's controlled power in a way that sounds unforced; neither artist sounds like a guest on the other's record. They are partners in the scene the song describes, two figures who have operated outside the safety of establishment approval and found that freedom suits them. The harmonies are close, lived-in and warm.
The Miley Cyrus Angle
Cyrus came into this collaboration with significant recent momentum. Her 2023 single Flowers had become one of the biggest-selling songs of that year globally, resetting her commercial standing and confirming what her fan base had always maintained: she was a major artist who had simply been moving at her own pace. Her pivot away from the Disney image years earlier, her genre-wandering career, her refusal to make safe decisions: all of it fed directly into what II Most Wanted required. Beyoncé's instinct to cast her was, on reflection, exactly right.
The Outlaw Metaphor
The song uses the language of fugitives and wanted posters not as costume but as emotional logic. Both artists, the lyrics suggest, have been chased by other people's expectations, by industry gatekeepers, by critics who thought they had already finished the story. The decision to run together rather than alone shifts the song's emotional register from defiance to solidarity. Two women, two careers, one shared understanding of what it costs to refuse the script you were handed at the start.
Legacy Within the Album
Cowboy Carter is likely to be studied for some time as a document of a major artist at full creative command, and II Most Wanted stands as its most commercially potent moment. Press play and you'll hear what two people sound like when they've each decided, independently and then together, that the road ahead belongs to them.
“II Most Wanted” — Beyoncé and Miley Cyrus's singular moment on the 2020s charts.
02 Song Meaning
II Most Wanted: Outlaws, Allies and the Art of Running Together
The outlaw tradition in country music has always been about more than breaking rules for the sake of it. The classic outlaw artists were responding to something specific: an industry that had decided what the music was supposed to sound like and was unwilling to make room for anything else. Beyoncé's use of that frame on II Most Wanted, with Miley Cyrus alongside her, connects to that tradition and updates it for a contemporary conversation about who gets to belong where.
Wanted for What, Exactly
The song's central metaphor places both women in the position of outlaws: pursued, named on a wanted list, operating outside sanctioned territory. The question that the lyric implicitly asks is worth sitting with: wanted for what? For being too much, too loud, too unwilling to fit? For making music that crosses genre borders that someone, somewhere, decided were permanent? The framing is knowingly theatrical, but the emotion underneath it is genuine. Both artists have real biographical experience of being told they don't quite fit the category they're working in.
The Partnership as the Message
On a purely structural level, the fact that this is a duet rather than a solo track is itself part of the meaning. Running alone is one thing; finding someone who has been through the same pursuit and choosing to run together is a different, richer statement. The song presents female solidarity not as a soft, mutual-support message but as something more actively resistant: two targets making themselves harder to isolate by staying side by side.
Genre, Identity and Belonging
Within the larger argument of Cowboy Carter, the album's sustained case that Black artists helped build country music from the ground up, II Most Wanted adds a specific dimension by bringing in an artist whose genre identity has also been contested, questioned and redefined. Cyrus grew up in Nashville, absorbed country from inside a country family, and then spent years being told she was betraying or abandoning the form whenever she changed direction. The parallels are different in specifics but related in structure.
Why the Chart Success Makes Sense
The song's debut at number 6 on the Billboard Hot 100 reflects genuine popular appetite for this specific combination. Audiences responding to II Most Wanted were not just rewarding the individual artists; they were voting, in some sense, for the version of country music that the album was arguing for: inclusive, historically honest and comfortable with complexity. That the two voices sounded so easy together only made the argument easier to accept.
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