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WikiHits · The Dossier 2010s Files Nº 35

The 2010s File Feature

Doin' What She Likes

The Making and Chart Run of "Doin' What She Likes" by Blake Shelton Blake Shelton had established himself as one of the dominant forces in mainstream country…

Hot 100 Peaked at Nº 35 25.0M plays
Watch « Doin' What She Likes » — Blake Shelton, 2014

01 The Story

The Making and Chart Run of "Doin' What She Likes" by Blake Shelton

Blake Shelton had established himself as one of the dominant forces in mainstream country music during the early 2010s, combining chart success with growing cultural visibility through his role as a coach on the television competition series The Voice. His commercial track record at country radio was exceptional, with a string of number-one singles that had made him one of the most consistently successful acts in the format over a five-year stretch. "Doin' What She Likes" continued that run of commercial success, arriving at a moment when Shelton's country star status was being amplified by his expanding crossover presence in mainstream entertainment culture.

The song was written by Craig Wiseman and Deric Ruttan, a pairing with extensive experience writing hits for mainstream country acts. Wiseman in particular had established one of the most impressive songwriting credits lists in Nashville, with cuts recorded by numerous major country artists over the preceding decade. The writing partnership produced a song that fit precisely within the formal conventions of contemporary mainstream country radio, featuring straightforward verse-chorus architecture, accessible lyrics grounded in familiar domestic imagery, and a tempo and melodic structure designed for the specific listening context of country radio's adult audience.

"Doin' What She Likes" was included on Shelton's album Based on a True Story..., released in March 2013 on Warner Bros. Nashville. The album was his seventh studio release and represented the commercial peak of his early 2010s run, debuting at number one on the Billboard 200 as well as the Billboard Top Country Albums chart. The album contained multiple singles designed to sustain chart activity over an extended release cycle, and "Doin' What She Likes" was positioned as one of the later singles in that cycle, sequenced to maintain Shelton's radio presence after earlier cuts from the album had run their commercial course.

The single was serviced to country radio in early 2014, debuting on the Billboard Hot 100 on February 1, 2014, at number 84. Its ascent through the Hot 100 was steady, driven primarily by country radio airplay performance, which fed into the chart methodology through the airplay component of the Hot 100 calculation. The track climbed consistently through February and March 2014, reaching its peak position of number 35 on the Hot 100 during the chart week of April 5, 2014. This represented a meaningful crossover performance, placing the song in the upper third of the pop chart despite its origin in country format programming. The single spent 17 weeks on the Hot 100, a run that reflected the sustained airplay activity at country radio stations and some crossover to AC formats.

On the Billboard Hot Country Songs chart, "Doin' What She Likes" performed with even greater strength, reaching number one and extending Shelton's extraordinary run of country chart-toppers. The country number-one achievement was particularly significant given the competitive field in early 2014, when several high-profile acts were simultaneously vying for radio support. Shelton's established relationship with country programmers, combined with the song's undeniable formal fitness for the format, made the chart-topper a commercially logical outcome even in a competitive environment.

Radio promotion for the single was supported by substantial touring activity from Shelton, whose live calendar during this period was extensive and included both headlining runs and high-profile festival appearances. The touring exposure reinforced the song's radio presence and created additional pathways for new listeners to encounter material from Based on a True Story.... Shelton's live performances of "Doin' What She Likes" during this period were enthusiastically received by audiences who had already internalized the song through radio exposure and came to live shows prepared to engage with it as a familiar favorite.

The music video for "Doin' What She Likes" received rotation on CMT and GAC, the major country music video outlets of the period, reinforcing the song's visibility within the format's multimedia ecosystem. The visual component aligned with country music's standard conventions for relationship-themed material, presenting the domestic scenario described in the lyrics with a warm, relatable visual style consistent with the song's tonal accessibility. The combination of strong radio performance, crossover Hot 100 presence, and country number-one status made "Doin' What She Likes" one of the commercially successful releases from a highly productive period in Shelton's career.

02 Song Meaning

Themes and Cultural Context of "Doin' What She Likes" by Blake Shelton

"Doin' What She Likes" engages with the themes of devotion, attentiveness, and the pleasures of domestic partnership that had long been central to mainstream country music's relationship songwriting tradition. The song's lyrical content presents a narrator who finds satisfaction in attending to his partner's preferences and desires, framing the acts of care and consideration that define a healthy relationship as sources of genuine happiness rather than obligations. The thematic core is the presentation of attentive partnership as its own reward, a message that resonated with the adult country audience's appreciation for relational stability and mutual consideration.

This kind of relationship affirmation had been a staple of mainstream country songwriting for decades, and Shelton's delivery of the material brought the requisite warmth and conviction to make the themes feel genuine rather than formulaic. The song participates in a tradition that stretches back through classic country's treatment of marriage and domestic life as worthy of celebration and careful tending. Craig Wiseman and Deric Ruttan's songwriting captured this tradition effectively while locating the narrative in specific, contemporary domestic details that gave the song a lived-in quality consistent with the best examples of the genre.

The male narrator's perspective in the song, presenting himself as someone who prioritizes his partner's happiness, aligned with a strand of contemporary country's gender dynamics that presented men as emotionally open and relationally attentive rather than stoic or unavailable. This persona had proven commercially successful for Shelton and other country artists of his generation, reflecting an evolution in the genre's self-presentation that paralleled broader cultural conversations about masculinity and emotional expression. The song's narrator is confident and comfortable in his devotion, presenting attentiveness as a form of strength rather than submission.

Culturally, "Doin' What She Likes" arrived at a moment when mainstream country's relationship between authenticity and commercial calculation was under regular scrutiny from critics who questioned whether the format's dominant artists were producing genuinely felt music or highly engineered product. Shelton's established persona, which combined country radio polish with a degree of self-deprecating humor and personal openness cultivated through his television presence, helped the song land on the more authentic side of that judgment for most listeners. The familiarity and accessibility of the themes were seen as genuine expressions of the values Shelton had consistently presented in his public persona rather than calculated commercial positioning.

The song's strong country radio performance reflected the format's audience's continued appetite for relationship-affirming content delivered by artists they trusted as authentic representatives of country life and values. The Hot 100 crossover performance confirmed that the song's thematic content had appeal beyond the core country demographic, with adult contemporary listeners also finding the relationship themes and Shelton's warm vocal delivery accessible and engaging. This crossover success demonstrated the continued capacity of well-crafted country relationship songwriting to reach beyond format boundaries when the material was sufficiently polished and the performer's commercial profile was broad enough to attract casual listeners from adjacent formats.

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