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The 2000s File Feature

It's A Business Doing Pleasure With You

Tim McGraw's "It's A Business Doing Pleasure With You" and Its Place in His Career By 2009, Tim McGraw had established himself as one of the most commerciall…

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Watch « It's A Business Doing Pleasure With You » — Tim McGraw, 2009

01 The Story

Tim McGraw's "It's A Business Doing Pleasure With You" and Its Place in His Career

By 2009, Tim McGraw had established himself as one of the most commercially consistent artists in the history of country music. His run of number one singles stretching across the 1990s and 2000s was among the longest sustained by any act in the genre's modern era, and "It's A Business Doing Pleasure With You" arrived as a representative entry from the later phase of that remarkable run, drawing from his album "Southern Voice" and demonstrating the commercial craftsmanship that had become his signature.

McGraw was born Samuel Timothy Smith in Delhi, Louisiana, in 1967, the son of baseball pitcher Tug McGraw, though he did not learn of that paternity until his teenage years. He was raised by his mother, Betty Trimble, and took her surname through her marriage. After studying at Northeast Louisiana University, he moved to Nashville in 1989 and secured a recording contract with Curb Records, the label with which he would maintain a long and productive relationship. His early singles failed to generate significant traction, but his 1994 breakthrough "Indian Outlaw" ignited a controversy that paradoxically amplified his visibility, and the follow-up "Don't Take the Girl" reached number one and established him as a major commercial force.

Throughout the late 1990s and into the 2000s, McGraw refined a style that blended traditional country sensibility with a more contemporary production approach, a combination that proved exceptionally durable. He collaborated frequently with producer Byron Gallimore, and their working relationship produced an unbroken series of hits including "It's Your Love" (a duet with his wife Faith Hill that became one of the bestselling country singles of the era), "Just to See You Smile," "Please Remember Me," and "Live Like You Were Dying," which won the Country Music Association Award for Single of the Year in 2004. By the time "Southern Voice" was being prepared, McGraw had accumulated more than twenty number one country singles.

"It's A Business Doing Pleasure With You" was written by Tom Douglas and Allen Shamblin, two of Nashville's most respected professional songwriters. Douglas had written "The House That Built Me" for Miranda Lambert and several other high-profile country cuts, while Shamblin was known for co-writing "He Walked on Water" and "I Can't Make You Love Me." Their collaboration on this track brought a level of craft to the project that matched McGraw's own meticulous production standards.

The song entered the Billboard Hot 100 on August 15, 2009, debuting at number 73. It climbed steadily over its first three weeks, reaching its peak position of 59 on August 29 before beginning a gradual decline through the remaining weeks of its chart run, which extended through at least five tracked weeks. On the Billboard country charts, where it competed more directly with its intended audience, the track performed more substantially. The Hot 100 crossover performance reflected the standard pattern for country tracks during this era, with occasional pop radio support generating supplemental chart activity beyond the core country format.

The "Southern Voice" album from which the track was drawn was released on October 27, 2009, and debuted at number one on the Billboard 200, making McGraw one of the few country artists of his generation to achieve that crossover distinction. The album also produced the title track "Southern Voice," which became another significant country hit, and featured a broadly accessible sound that appealed to both country purists and mainstream pop listeners.

McGraw's ability to sustain commercial relevance into the second decade of his career distinguished him from many of his contemporaries. Acts that had emerged alongside him in the mid-1990s had largely seen their chart success diminish by 2009, but McGraw continued to release material that competed effectively with a new generation of country artists. This durability reflected not only his commercial instincts but his willingness to work with strong outside material from writers like Douglas and Shamblin rather than relying exclusively on a fixed creative formula.

"It's A Business Doing Pleasure With You" remains a representative example of Tim McGraw operating at peak professionalism within a commercial country framework, blending a playfully observed lyrical concept with the polished production and assured vocal delivery that had made him one of the genre's defining voices for nearly two decades.

02 Song Meaning

The Meaning Behind Tim McGraw's "It's A Business Doing Pleasure With You"

"It's A Business Doing Pleasure With You" deploys one of the oldest rhetorical devices in popular songwriting: the inversion of a familiar phrase. The conventional business sign-off "It's a pleasure doing business with you" is flipped to reframe the pleasure itself as the central transaction, suggesting that the business of being in love is worth far more than any commercial exchange. Tim McGraw delivers this wordplay with the relaxed authority of a performer entirely comfortable in his own skin, and the ease of that delivery is essential to the song's appeal.

The song belongs to the tradition of country love songs that find their metaphors in the textures of everyday working life. Rather than reaching for grand romantic abstractions, it grounds its affection in the language of commerce and transaction, and then inverts those terms to demonstrate their inadequacy when applied to genuine feeling. The joke embedded in the title is affectionate rather than cynical: the narrator is using the language of business precisely to show that love exceeds anything business can describe.

This approach reflects the songwriting philosophy of Tom Douglas and Allen Shamblin, who between them have produced some of country music's most carefully observed lyrical work. Both writers have demonstrated a talent for finding emotional resonance in unexpected angles of approach, and "It's A Business Doing Pleasure With You" exemplifies that skill. The title sets up an expectation of irony that the song's body then fulfills with warmth rather than detachment, moving from the clever premise toward genuine romantic feeling.

McGraw's vocal performance reinforces this tonal balance. He has always been a singer who projects confidence without arrogance, and that quality serves the song's premise well. The narrator of the song is not uncertain about his feelings; he is fully committed and is simply looking for a new way to articulate that commitment. The business metaphor works because it suggests a kind of equal partnership, a mutually beneficial arrangement in which both parties profit from the relationship. This is a more contemporary vision of romantic partnership than older country love songs typically offered.

The song also reflects the emotional maturity that characterized McGraw's later career. By 2009, he was approaching his mid-forties and had been married to Faith Hill for over a decade. The confident, settled quality of his romantic material from this period contrasts meaningfully with the more yearning quality of his earliest hits, and "It's A Business Doing Pleasure With You" has the ease of someone writing about a love that has proven its durability rather than one that is still being tested.

Ultimately, the song communicates that the most satisfying pleasures in life are also the most serious commitments, and that framing love as a kind of business is not a diminishment but an elevation: it grants the relationship the weight and dignity of something real, ongoing, and mutually sustaining. That message, delivered with warmth and craft, is precisely what made it a natural fit for Tim McGraw's voice and his audience's expectations.

More from Tim McGraw

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  1. 01 Where The Green Grass Grows by Tim McGraw Where The Green Grass Grows Tim McGraw 1998 46.2M
  2. 02 Live Like You Were Dying by Tim McGraw Live Like You Were Dying Tim McGraw 2004 45.4M
  3. 03 Don't Take The Girl by Tim McGraw Don't Take The Girl Tim McGraw 1994 39.6M
  4. 04 Meanwhile Back At Mama's by Tim McGraw Featuring Faith Hill Meanwhile Back At Mama's Tim McGraw Featuring Faith Hill 2014 38.1M
  5. 05 Truck Yeah by Tim McGraw Truck Yeah Tim McGraw 2012 32.1M

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