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WikiHits · The Dossier 1980s Files Nº 13

The 1980s File Feature

Making Love

Making Love: Roberta Flack and the 1982 Film Soundtrack Hit Roberta Flack had already established herself as one of the most distinctive voices in contempora…

Hot 100 Peaked at Nº 13 1.2M plays
Watch « Making Love » — Roberta Flack, 1982

01 The Story

Making Love: Roberta Flack and the 1982 Film Soundtrack Hit

Roberta Flack had already established herself as one of the most distinctive voices in contemporary soul and adult contemporary music long before "Making Love" appeared in 1982. Born on February 10, 1937, in Black Mountain, North Carolina, Flack had trained as a classical pianist before transitioning to a singing career that produced some of the most enduring ballads of the 1970s. Her 1972 recording of "The First Time Ever I Saw Your Face" had reached number one on the Billboard Hot 100 and won the Grammy Award for Record of the Year. Her 1974 duet with Donny Hathaway, "Where Is the Love," had previously established her as a significant commercial presence. By the early 1980s, her position as a premier interpreter of sophisticated romantic material made her an ideal choice for a high-profile film tie-in.

The Film and Soundtrack Context

"Making Love" was recorded for the soundtrack of the 1982 film of the same name, a drama directed by Arthur Hiller that dealt with a married man coming to terms with his homosexuality. The film was significant in the history of mainstream Hollywood for its relatively frank and sympathetic treatment of its subject matter at a time when gay characters in major studio productions were rarely depicted with any complexity or dignity. The decision to anchor the film with a ballad by Roberta Flack was consistent with the adult-oriented prestige of the production and the marketability of the soundtrack to the adult contemporary radio audience that was Flack's primary constituency.

The song was written by Burt Bacharach and Carole Bayer Sager, one of the most commercially successful songwriting partnerships of the era. Bacharach, already legendary for his work with Hal David in the 1960s, had found a new creative partner in Sager, and their collaboration produced a series of major hits and film songs throughout the late 1970s and early 1980s. Bacharach's distinctive harmonic language, characterized by unusual chord progressions and unexpected metric shifts, is present in "Making Love," though filtered through a production approach calibrated for early-1980s adult contemporary radio. The production was overseen to suit Flack's established sound, with lush orchestration providing a warm backdrop for her controlled, nuanced vocal performance.

Billboard Hot 100 Performance

"Making Love" entered the Billboard Hot 100 on March 6, 1982, debuting at number 80. The single climbed steadily over the following weeks, reflecting the pattern typical of adult contemporary ballads, which tended to rise slowly as radio programmers added them to their playlists and listeners grew familiar with the track. By the fifth week, the single had climbed to number 49. It continued ascending through the spring and into summer, eventually reaching its peak position of number 13 during the chart week of June 12, 1982. The track spent a total of 21 weeks on the Hot 100, a run that underscores the enduring appeal of the record across a full season of radio play.

Twenty-one weeks on the Hot 100 is a substantial chart run by any measure, indicating that "Making Love" was not merely a brief promotional splash but a record that maintained genuine listener interest well beyond its peak. The adult contemporary radio format, which was the single's primary broadcast home, favored longer chart runs because its audience was less driven by novelty than the pop mainstream and more committed to familiar, emotionally resonant material.

Adult Contemporary Chart Success

On the Billboard Adult Contemporary chart, "Making Love" performed even more strongly than on the Hot 100. The adult contemporary chart tracked airplay at radio stations programming soft pop and quiet storm formats, and Flack was among the most consistently successful artists in that space during the 1970s and early 1980s. The single's strong performance there reflected the loyalty of her core audience and the suitability of the Bacharach-Sager composition to that format's preferences for emotional sophistication and melodic clarity.

Grammy Recognition

The song received Grammy Award consideration, consistent with the profile of a high-profile Bacharach-Sager production featuring one of the most decorated vocalists of the era. Roberta Flack's career had by this point generated multiple Grammy Awards, including wins for Record of the Year on two separate occasions, making her one of a very small group of artists to have achieved that distinction more than once. "Making Love" added to the late-career chapter of a recording history that had already secured her a permanent place in the pantheon of American popular vocalists.

02 Song Meaning

Themes and Legacy of Making Love

"Making Love" carries a dual significance that sets it apart from most ballads of its era. On one level, it is a sophisticated adult contemporary love song exploring the emotional complexity of intimate partnership, delivered by one of the most emotionally nuanced vocalists in popular music. On another level, it is inextricably linked to a film that represented a genuine moment in the history of mainstream American cinema's treatment of homosexuality, which gives the song a cultural weight that extends well beyond its chart performance.

The Film's Cultural Significance

The 1982 film "Making Love" was released at a moment when openly gay characters almost never appeared in major studio films in any serious capacity. The film's relatively sympathetic portrayal of its central characters and their emotional experiences was considered bold for its time. The choice to commission a ballad by Roberta Flack, a major Black female artist associated with emotional authenticity and romantic depth, to serve as the film's musical anchor sent a message about the seriousness with which the filmmakers approached their material. Flack's presence on the soundtrack conferred a kind of mainstream legitimacy and emotional gravity that helped position the film as quality adult drama rather than exploitation.

Bacharach-Sager Songwriting

The composition itself benefits from the specific qualities of the Burt Bacharach and Carole Bayer Sager partnership. Bacharach's harmonic inventiveness gives the melody an emotional complexity that goes beyond the conventions of straightforward ballad writing. The chord movements create a sense of gentle yearning and suspended resolution that suits a lyrical meditation on intimacy and connection. Sager's lyrical approach, typically direct without being simplistic, gives the song an adult emotional vocabulary that trusted its audience to engage with romantic themes without requiring sentiment to become sentimentality.

Roberta Flack's Interpretive Authority

What elevated "Making Love" beyond competent film-song execution was the performance at its center. Flack had spent two decades developing an approach to vocal performance rooted in restraint, precision, and emotional intelligence. She never oversang; she trusted the melody and the production to carry the emotional weight while she focused on the specific truth of each phrase. This approach, which distinguished her from more demonstrative contemporaries, is fully present in "Making Love" and gives the recording a quality of genuine feeling that survived its film-tie-in origins. The 21 weeks on the Hot 100 confirm that listeners responded to this quality over an extended period.

Legacy in Adult Contemporary

In the context of early-1980s adult contemporary music, "Making Love" represents a high point of a particular approach to the genre: sophisticated songwriting, restrained production, and deeply skilled vocal interpretation working together to create something that respected its adult audience. The peak of number 13 on the Billboard Hot 100 placed it among the more commercially successful entries in Flack's post-1970s discography and demonstrated that her audience remained engaged with new material even as her classic recordings continued to circulate. The song stands as evidence of how effectively the adult contemporary format could carry culturally meaningful subject matter when all the creative elements aligned in its favor.

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