The 1960s File Feature
Try To Remember
The Brothers Four: "Try To Remember" (1965) The Brothers Four were one of the most commercially successful folk groups of the early 1960s, a quartet from the…
01 The Story
The Brothers Four: "Try To Remember" (1965)
The Brothers Four were one of the most commercially successful folk groups of the early 1960s, a quartet from the University of Washington whose smooth vocal harmonies and accessible approach to folk material placed them alongside the Kingston Trio and Peter, Paul and Mary in the popular imagination of that period. Their recording of "Try To Remember" in 1965 connected them to one of the most beloved songs to emerge from the American musical theater of the postwar era, a composition that had already achieved considerable renown through its original production and through subsequent recordings before the Brothers Four brought it to the Billboard Hot 100.
The Song's Origins in Musical Theater
"Try To Remember" was composed by Harvey Schmidt with lyrics by Tom Jones for the off-Broadway musical "The Fantasticks," which opened at the Sullivan Street Playhouse in Greenwich Village, New York, on May 3, 1960. The show would go on to become the longest-running musical in history, running for 42 years until its initial run closed in 2002, a record of sustained theatrical success that reflects the extraordinary quality of its material. "Try To Remember" is the opening number of the show, sung by the narrator character El Gallo, and it sets the melancholic, wistful tone that pervades the entire work.
The song functions as both a literal invitation to remember the past and a meditation on the relationship between memory, innocence, and emotional truth. Its imagery of September, a mellowing year, and the awakening of love creates a specific emotional atmosphere that has made it one of the most frequently performed songs in the American theater repertoire. By the time the Brothers Four recorded it in 1965, it had already been sung by Ed Ames and recorded by a variety of artists, but it remained strongly associated with its theatrical context.
The Brothers Four and Their Recording
The Brothers Four, consisting of Bob Flick, Mike Kirkland, Dick Foley, and John Paine, had formed at the University of Washington in Seattle in 1957 and signed with Columbia Records, where they scored their breakthrough hit with "Green Fields" in 1960. That song reached number two on the Billboard Hot 100 and established them as a commercially viable folk act in the wake of the Kingston Trio's success. Their approach to material was eclectic, drawing on folk, pop, and theatrical sources, which made a song like "Try To Remember" a natural fit for their catalog.
The 1965 recording appeared on Columbia Records and received the kind of polished, orchestral treatment that was standard for the label's pop-folk productions of the period. The arrangement complemented the song's wistful character, framing the Brothers Four's harmonies in a context that respected the theatrical origins of the material while making it accessible to a popular radio audience.
Billboard Hot 100 Performance
The Brothers Four's recording debuted on the Billboard Hot 100 on November 6, 1965, entering at position 100. The chart run was brief, with the song moving to 94 on November 13 before achieving its peak position of 91 on November 20, 1965. The total chart duration was three weeks, a short but legitimate showing that reflected the competitive conditions of the mid-1960s chart. By late 1965, the Hot 100 was dominated by British Invasion artists and the emerging sounds of folk rock, soul, and early psychedelia, making it a challenging environment for a straightforward interpretation of a musical theater ballad.
The modest chart performance of the Brothers Four's recording should not be taken as a measure of the song's cultural importance, which by 1965 was already established independently of any particular recording. "Try To Remember" was a known quantity, a song audiences recognized from its theatrical context and from previous recordings, and the Brothers Four version served to extend its reach into the pop radio market.
The Fantasticks and Enduring Musical Legacy
"The Fantasticks" itself is one of the most extraordinary success stories in the history of American musical theater. The off-Broadway production ran for 42 years and 17,162 performances, a record of longevity that has never been approached by any other production. In that context, "Try To Remember" became one of the most enduring theater songs of the twentieth century, recorded by countless artists across multiple genres and maintained in the active repertoire through the show's continuous performance. The Brothers Four's 1965 recording is one document in an extensive catalog of interpretations that spans jazz, pop, folk, and classical music.
02 Song Meaning
Memory, Innocence, and Longing in "Try To Remember"
"Try To Remember" is one of the great songs about the act of remembering itself, a piece that invites listeners not simply to recall the past but to examine the quality of their relationship to memory and to the emotional states that memory preserves. Harvey Schmidt and Tom Jones wrote the song as the opening number of "The Fantasticks," and it performs several functions simultaneously: it introduces the show's romantic and melancholic tone, it establishes the narrator's relationship to the audience, and it presents a philosophical proposition about the nature of innocence and its relationship to time.
The September Imagery and Seasonal Metaphor
The song's central imagery connects the act of remembering to the month of September, a choice that carries enormous emotional resonance in the context of American cultural life. September is the month of transition, when summer ends and autumn begins, when the natural world begins its visible process of change and decline, and when the academic calendar resumes and the rhythms of adult life reassert themselves after a period of relative freedom. Schmidt and Jones use September as a metaphor for a particular kind of emotional readiness, a moment when the mellowing of the year corresponds to a mellowing of the heart, an opening to tenderness and vulnerability that the harsher seasons do not permit.
This seasonal structure gives the song a cyclical quality that contributes to its enduring appeal. The invitation to remember September implies that September comes again, that the emotional state associated with it is available for renewed experience each year, and that memory is not merely a backward-looking act but a way of staying connected to possibilities that remain alive. The wistfulness of the song is not despair but rather a bittersweet awareness of how precious the states it describes actually are.
The Musical Theater Context
Within "The Fantasticks," "Try To Remember" functions as an overture in emotional terms, establishing the show's commitment to exploring the relationship between innocence and experience, between young love and the complications that time and knowledge introduce. The show as a whole is an examination of this theme, following two young people whose romance is manipulated by their fathers and whose eventual reunion requires the loss of an innocent, uncomplicated happiness they can never fully recover. "Try To Remember" prepares the audience for this journey by asking them to locate, within their own experience, the feeling of September innocence that the show will then explore and ultimately complicate.
The theatrical wisdom of opening with this song is considerable. By inviting the audience into a specific emotional register through the mechanism of personal memory, the show creates an investment in its themes before the plot has even begun. This technique reflects a sophisticated understanding of how theatrical storytelling works, and it helps explain why "The Fantasticks" achieved the extraordinary longevity that it did. Songs that ask audiences to contribute their own memories to the experience of a show create a bond that more conventional narrative approaches cannot replicate.
The Folk Interpretation and Its Resonance
The Brothers Four's interpretation of the song drew on the folk tradition's own deep investment in memory, community, and the preservation of emotional states across time. The folk revival of the late 1950s and early 1960s was itself an act of collective remembering, an effort to recover and transmit musical and cultural traditions that industrial modernity had threatened to erase. In that context, a song about the importance of remembering and the emotional richness that memory preserves was entirely consonant with the folk movement's values and aspirations.
The harmonized vocal treatment that the Brothers Four brought to the material added a communal dimension to what is in theatrical terms a solo number. Hearing the song performed by multiple voices in close harmony transforms the act of remembering from a private act into a shared one, suggesting that the emotional truths the song describes are not merely personal but broadly human. This quality helps explain the song's persistence across many different kinds of performances and arrangements: its subject is universal even when its imagery is specific.
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